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APRIL IN PARIS - moderate tempo

Artist: arr by wocky steele for Fremantle Ukulele Rabble for educational purposes only.Composer: Vernon Duke & E.Y. HarburgCopyright: 1932GoChords.com

G Clef
Measure Bar
Four-Four Time
Am
custom chord
Measure Bar
4 beats
Measure Bar
2 beats
Dm7b5
Asus4
2 beats
Measure Bar
4 beats
Measure Bar
Fm6
custom chord

April in Pa---ris.................................. Chestnuts in blos--som.......................

Measure Bar
Measure Bar
Measure Bar
2 beats
2 beats
custom chord
Measure Bar
Measure Bar
4 beats
4 beats
Asus4
D
Dsus4
custom chord
custom chord
custom chord
custom chord

Holi-day tab---les un-----der the trees.........................................................

You have the option of playing each beat as shown or holding the strum for 2 beats

Measure Bar
custom chord
Dm6
Measure Bar
Measure Bar
Bm7b5
E7
custom chord
Measure Bar
4 beats
Measure Bar
Dm7
Fmaj7
Dm7
2 beats
2 beats
2 beats
2 beats
3rd Ending
Ending Close

April in Pa-------ris.................................... this is a feel----ing..............................

(The Bm7-5 is a tripple - 3 notes in 2 beats)

F#m7b5
Measure Bar
Measure Bar
B7+5
4 beats
2 beats
2 beats
Measure Bar
Bm7
E7
Measure Bar
2 beats
2 beats
Em7b5
2 beats
A7
2 beats
Ending Bar
B7
Fermata
Fermata
Fermata
Fermata

No one can ev--er re----------------prise............................................................

Ending Bar
Measure Bar
Measure Bar
Measure Bar
Bridge
Fdim
2 beats
2 beats
C
D#dim
2 beats
2 beats
4 beats
Measure Bar
C
custom chord
2 beats
Dm7
G9
D#m6

I never knew the charm of spring, never met it face to face

Measure Bar
Measure Bar
Measure Bar
Ending Bar
Measure Bar
Bm7b5
2 beats
E7
2 beats
custom chord
4 beats
F#m7b5
B7+5
2 beats
custom chord
2 beats
Dm7
G7
Fermata
B7

I never knew my heart could sing, never missed a warm em-brace , 'till

Fingers for the EM7:- index on g string, long on a string & ring on c string

2 beats
Am
Measure Bar
Gm7
2 beats
Measure Bar
A7+5
Measure Bar
Em7b5
Fm6
Em7
Measure Bar
A7
4 beats
1 beat
2 beats
1 beat
2 beats
Ending Bar

April in Par---is.......................................... whom can I run to? ............................

Measure Bar
custom chord
2 beats
D6
D7
Measure Bar
C#maj7
2 beats
custom chord
2 beats
Measure Bar
C
Measure Bar
Fermata
Ending
Ending Bar
2 beats
2 beats
custom chord
2 beats
Fermata
2 beats
Fermata
custom chord

What have I done to, my heart?.........................................................

Composed by Vernon Duke and E.Y. Harburg in 1932 for the Broadway Musical, "Walk a Little Faster" it was an original hit for the Orcestra of Freddie Martin in 1933. But it made the Cashbox Top 50 in a remake by the Sauter-Finnegan Band in 1952 following the release of a film inspired by the song itself. Composer Alec Wilder stated "Thre are no two ways about it - this is the perfect theatre song".
Basie's 1955 recording is the best known remake. In it Thad Wilder plays his famous "Pop Goes the Weasel" solo while the band members play and shout "one more time" and "one more once" to the solo artist........This recording was inducted into the "Grammy Hall of Fame".
Other famous recordings were put down by Ella Fitzgerald and Shirley Bassey.

Vernon Duke (Vladimir Alexandrovich Dukelsy) 1903-1969 was a native of Belarus in the Russian Empire. He was of noble birth with mixed blood of Georgian-Austrian-Spanish and Russian descent. He wrote some of the most melodic popular songs of our times including: Taking a Chance on Love; I Can't Get Started; What is there to Say?" Autumn in New York and this one, April in Paris.

He was something of a prodigy. At 11 he was admitted to the prestigious Conservatory of Kiev where he studied composition with Rheinhold Gliere and musical theory with Boroslav Yavorsky.

In 1921 with his family, he escaped the Russian Bolshevics by travelling steerage class to the US. In 1922 he was befriended by the young Jewish immigrant Jacob Gershowitz (aka George Gershwin) who encouraged him to shorten and anglesise his name to "Vernon Duke". But he continued writing classical music and poetry in his Russian name until 1955.

In 1924 he was commissioned by Serge Diaghalev to write a ballet. This was premiered by the Ballet Russe the next year.

He wrote pridigiously - classical chamber music as well as poems and scores for American Musical Theatre where in 1940 he wrote the full score of "Cabin in the Sky" choreographed by George Ballanchine and performed by an all black cast at the Martin Beck theatre in New York. . --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
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